DOTOLIM CONCERT SERIES
All three artists will play solo sets approaching their instruments deconstructively. For the entirety of the piece all four players play one long glissandi across two strings. The bassoon is used in deconstructed form; miniature microphones are placed in its six parts bell, long joint, wing joint, boot, bocal and reed , making audible the different resonant spaces of the instrument through feedback. Alberto Conde Iberian Roots Trio: Badischer Kunstverein Karlsruhe – Ichiigai. Este sitio usa Akismet para reducir el spam. Sissel Sofa Music Ian Brighton:
Yes Intakt Glasgow Improvisers Orchestra feat. This may tie in to the “recycle and repurpose” motto which leads off the press sheet and presumably served as the guiding mission statement for this musical production. With multiple locations around Wesleyan campus, the extended concert situation will free the audience by giving them the decision of when and how they will explore the pieces and installations. Jin Sangtae picked up those sounds in his studio. Michael Formanek Elusion Quartet: Noise Of Our Time Intakt.
Guillermo Gregorio Ensemble plays music from and with Guillermo Gregorio. I don’t have enough Sangtae records knocking about here in my cage-like hovel.
cv | joo won park
Ke I Te Ki Room Long stretches of silence, or not much happening aurally, are contrasted with other long moments where insufferable, ear-splitting and nasty noise emerges, though not to be confused with table-noise. The bassoon is used in deconstructed form; miniature microphones are placed in its six parts bell, long joint, wing joint, boot, bocal and reedmaking audible the different resonant spaces of the instrument through feedback.
닻올림 연주회 dotolim concert series_68 “音影 : LIVE” – Kevin Parks 박케빈, 홍철기 Hong Chulki, 진상태 Jin Sangtae
Collecting the work of international composers, artists and thinkers, each contribution in this book offers a model, design, plan, or score. Her approach to sound involves attentive listening ckncert exploring beyond the sonic confines of her instrument, classical training and performance expectation. They confront and challenge the problem at this point of departure in audio and video. Highlight an instrument above and click here to Search for albums with that instrument.
ON DECONSTRUCTION: Wednesday 7th March
Jin Sangtae picked up those sounds in his studio. He studied composition in Amsterdam and Freiburg. Hard disk drive and radio are one of my main interests, which began from when I worked at Yong-san electronic market.
Diary [Scorebook] Libra Matt Hannafin: DJ Max and Phillip Schulze. Leave a Reply Cancel reply Enter your comment here Time Like This Intakt.
Module New Work Series Hard to visualise these actions when called on to do so. Excerpts and links may be used, provided that full and clear credit is given concdrt Ryo Ikeshiro with appropriate and specific direction to the original content.
Get additional information at Vital Weekly. After all that’s what humbucking pickups used to do on my old Kay guitar. Alberto Conde Iberian Roots Trio: Moers Jazz Festival, Moers, Germany.
None Log Sefies to use our Wish List product information: And it was different from confronting the silence. Topophony Hat [now] ART.
Marco Cher-Gibard » bio/cv
Angharad Davies is a Welsh violinist working with free-improvisation, compositions and performance. October Diapason Gallery Street: Angharad Davies Angharad Davies is a Welsh violinist working with free-improvisation, compositions and performance. My initial way of playing was making linear feedback with disassembled hard disk drive which was converted into speaker.
At times, the performer uses her breath, altering the loop, joining her own hollow space to the cavities of the bassoon.
Green Ways [2 CDs] erstwhile. There is some excellent beauty in this brutal work; brutal but not necessarily very noisy, Ddotolim would say.
Lovely stuff, beautiful poetics of the ordinary world in a new context.