ORAM TRIDENT SERIES 8T

The single rack space power supply easily tucks away in the most cramped recording space. After the AES show, in which the board garnered two magazine awards, my zeal to review it increased even more. You will never get it back. One emulates the A range and the other the Series If you really want that classic Trident sound, I would just look for an old Trident. The output impedance of all outputs is Each channel has a Flip switch that swaps the live inputs on the faders with the tape inputs on the pots.

No one, I repeat no one makes better gear. Also located on each channel are signal-present and peak LEDs — a necessity if you are using the console without the meter bridge. Unfortunately, it makes the already-cramped patch area even more difficult to access. The pre, compressor and Eq he designed for me is the best. I split a Pro Tools mix through three stereo pairs and two mono channels Much harder with fairly harsh high band eq. My experience so far has been that the current Trident offerings really do not sound at all like the older Trident stuff that it is “supposed” to sound like. There is a lot of contention concerning Oram and his actual designs with Trident as a company.

They are also at a different price point though.

This email address is being protected from spambots. More warmth in the audio and design concepts more suited to the hybrid concept of tracking, mixing and mastering. All times are GMT If true, then what’s in it?

About ORAM Prafesional Audio Trident 8T-8

Several of you like our new website and thank you for that. Trisent think you have been misinformed. The Trident 8T, coupled with the optional meter bridge and classy wood trim, is a mighty impressive looking little desk, easily upping the ante both visually and sonically of most project studios.

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I’ve used it on all of the films I’ve designed since I got it and can’t imagine being without it. There is nothing in the criminal or civil law which legalizes that which is otherwise illegal simply because the transaction takes place over the Internet. Please login or register.

Unfortunately, it makes the already-cramped patch area even more difficult to access. Your friend, Al Schmitt”. I’d love to get my hands around both just for fun and compare to the big brothers.

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Best Regards, Bill Logged “Don’t take it personally. People’s Republic of Ryan http: Three years on and after many fake purchasers we are now going. John Oram was born in in Dartford, Kent, England and has enjoyed a busy and rewarding life in the electronic musical industry. We must never let up for a second. Much harder with fairly harsh high band eq. seires

Let’s discuss: Trident tribute consoles – Oram Series 8T VS Toft ATB Trident Series Mixer

Bookmarks Bookmarks Digg del. Logged Larry Janus http: Christopher Boyes “John’s Hi-Def Eq is unequalled in the business, it provides a clarity and dimension to sounds I’ve never experienced before with any device.

I split a Pro Tools mix through three stereo pairs and two mono channels There will be new designs tridenh my analogue tgident, with more sunshine and a relaxed Mediterranean feel.

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The 8T-8 console is also available in an eight-channel rack-mount version called the Series 8T-8 Rack, allowing the desk to be mounted in a standard inch equipment rack.

The desk has numerous inputs and outputs, which are all balanced, except for the channel insert points.

After the AES show, in which the board garnered two magazine awards, my zeal to review it increased even more. Even amongst the old Trident desks, there are still some pretty wide sonic differences between the different models. Al Schmitt “John is one of the best design engineers in the business. The Trident 8t may sefies a great little mixer in it’s own right but I would not buy it thinking you are getting “that Trident sound” that most professionals refer to.

You are the best. Back to studio consoles. Sign in to disable this ad. The Old Forge for sale! I had a little tweak on the EQ, it was some CD playing through cheap phones, Obviously hard to judge the sound, pres etc but I have to say the EQ seemed ‘Trident-like’ to me. Malcolm was indeed the originator of Trident’s console manufacturing, creating the A-range along with electronic design support trideht Barry Porter.